Making v Minimalism – I love my stuff, and also it turns out, I routinely need fewer things than I think I will.
(This is maybe the second cleanest, a desk of mine has ever been.)
I lived out of a suitcase for months, and never touched two of the dresses I packed.
I packed a suitcase for 10 weeks of traveling, and ended up living out of it for 8 months.
I did start to add more clothes to that suitcase sized wardrobe, and it turned out I didn’t need to.
As it turns out, I routinely need fewer things than I think I will.
It’s taken me about two months to finally unpack and sort through everything I had in storage during the 8 months I was living out of a carry-on suitcase (and a purse).
The sorting has left in its wake, about two garbage bags to get donated. And I get the sense there’s more to come.
I’ve never desired that my space, and my things look minimalist-Insta-perfect. Not even Insta-crafter-perfect.
First of all, I have too many books to fit on a single bookcase. Let alone a single bookcase that has books, plants, PLUS chachkes.
Secondly, I make things. I make things, that are made out of stuff.
I make things out of stuff. And in order to make things, you first need the stuff.
Stuff: yarn, fabric, needles, thread, bead, paper, etc. etc.
Things: clothes, accessories, costumes, blankets, decoration, and anything else I damn well please.
So, I need stuff (and I love it) to make things.
And at the same time, it turns out, that I routinely need less than I think I will.
Maybe it’s time to plant a thought seed of possibility in my yarn, fabric & fiber stashes.
Maybe I don’t need to hold on to yarn (or fabric, or fiber, or buttons, or shoes, or clothes) “just in case…” or because “it could become…”
Maybe being a maker (who needs stuff to make things) and letting stuff go are not mutually exclusive.
Thought-seed planted.
…
I know many of you who read are makers, I’d love to hear your approach to keeping the balance between having “stuff” (materials, tools, etc.) and not being overwhelmed by having “stuff.”
gentle absurdity & jelly doughnut sweaters – An interview with Teresa Gregorio about Twin Peaks inspired knitwear
Gentle absurdity, a tv show with a cult following, and sweaters inspired by jelly doughnuts & log ladies? Count me in!
Great Northern, a Twin Peaks inspired knitwear collection has all of that. The brainchild of Leah Coccari-Swift (aka Ruby Submarine) & Teresa Gregorio (aka Canary Knits), this collection includes 10 sweater patterns + bundles of accessories that translate the absurdity of Twin Peaks into knitable, wearable, vintage inspired knitwear.
I love reading interviews with designers, and authors, and artists, so when Teresa asked me if I’d be interested in interviewing her for the Great Northern Kickstarter Supporting Blog Tour – I was all “yes please!”
So here’s my interview with Teresa, she’s a designer, lover of neon colors, and generally a fabulous person, it was an absolute pleasure reading through her answers.
HC: For those of us who haven’t watched Twin Peaks before, can you talk a little bit about the show, and why you & Leah were inspired to create a whole collection around it?
TG: Twin Peaks was a ground breaking show that aired for only two seasons in the early 90s. We’re quite used to the conventions it began in our tv shows today, but it was the first to have multi-episode plot lines and bring a cinematic sensibility to the small screen.
It’s also a very weird show. Its weirdness manifests in quirky characters, supernatural phenomena, and sometimes unbelievable actions and consequences. It’s this weirdness, singularity, and (of course) fashion that really drew me (and Leah!) to the show.
Twin Peaks has quite a cult following, and Leah was surprised and excited to see that no one had created an entire Twin Peaks-inspired collection before. So when I approached her in January to collaborate on something, she immediately suggested this project.
HC: Can you talk a little bit about how you translated the gentle absurdity of Twin Peaks into wearable, knitable, knitwear? You’ve said that you’re not trying to recreate the costumes themselves, but rather incorporate elements of the characters and show into your designs – so what sort of elements were you looking for?
TG: Gentle absurdity, I like that!
We want to create something that even non-Twin Peaks fans will be in to; we think our weirdo, bold aesthetic harmonizes both with each other and with the spirit of the show. Our overall look for the collection is one of vintage vibes and modern wearability.
So, my own process of developing designs for the book involved binge watching episodes and noticing what I noticed; seeking out the symbols and archetypes used on the show, and asking myself how those harmonized with what knitters today like to knit and wear.
For example, my Lynch Pin design was inspired by a purple, buttoned, shoulder-pad-enhanced Henley pullover that Norma wears in one scene. I decided to nix the shoulder pads, buttons, and purple, and instead to focus on who Norma is as a character (strong and classy) and update the look for a strong, classy 2015 knitter. So, Lynch Pin is a gentle grey pullover without the fussiness of buttons, which has a neat, tailored look, and artfully-placed increases and decreases for a classic looking sweater.
HC: The previews & sneak peaks you’ve posted all look amazing! I’m obsessed with the red & black color combination of the sexy raglan from Leah, and think I’ll probably need a Jelly Donut cardigan in my wardrobe as soon as possible. What are your favorite pieces in the collection – either favorite to design or to wear?
TG: Thank you! We blush!
I think my favourite to knit will be Lonely Souls – that’s a 3/4-sleeved pullover that’s quite staid and simple but for the striking contrast of the white horse silhouette that will cut across the yoke. That’ll be a fun bit of colourwork to complete, and it’d be fun to see the sweater just POP after you finish that first white-to-black row.
My favourite design to wear will likely be My Log Does Not Judge, Leah’s Log Lady-inspired sweater. Her sketches look so cozy and flattering, with colourwork and cables and long, warm sleeves!
HC: I always love a good behind the scenes peak, and I’m sure I’m not alone. Can you talk a little bit about how the book came together? How the idea was spawned? How you and Leah split up the design, writing, and all the other elements that go into creating a book? Deciding to use kickstarter & the process of kickstarting a book? That sort of thing?
TG: I mentioned earlier how Great Northern came initially from an idea Leah had brewing – I just had impeccable timing! One of my 2015 business goals was to work more with designers I admire and share an aesthetic with, so I sent Leah an email in January proposing that we collaborate on something.
From there, we each spent a couple weeks thinking and sketching, coming back together to compare notes and see how our ideas worked as a whole. For the most part they did work! I had to nix one sweater, but it was nearly magic the way she and I picked a similar number of sweaters in complementary types, styles, and inspirations.
When we realized we had 10 sweater designs that were all so strong, it seemed that to do the work justice we should get it done in print. We’re both great lovers of printed books (especially knitting ones!) so we wanted to participate in that tradition and do what we can to keep it alive. Working with an independent printer is a big part of what we want to do: we’re working with a host of other independent creative people to produce the printed version of Great Northern.
The lion’s share of the Kickstarter funding is to enable us to print the book, but of course we also have to compensate the tech editor, graphic designer, photographer, and other creative professionals. Putting the Kickstarter together is a lot of work; you have to have a solid budget and knowledge of what you want. But it’s worth it! We’re both very excited about and dedicated to Great Northern.
HC: And finally, what’s the number one thing you want people to know about this book before they decide to support the kickstarter?
TG: Leah and I are both passionate about bringing the knitting community a thoughtful, strong, beautiful collection of knitwear that will give knitters an exciting project and wearable FO, whether you’re a Twin Peaks fan or not!
Thank you so much to Teresa! I can’t wait to see this book complete. All the lovely photos in this post sketches and ideas of sweaters from Great Northern, and are used with permission. You can see the rest of the designs, and learn more about the project, at GreatNorthernKnits.com.
Great Northern is a Twin Peaks inspired knitwear collection, designed by Leah Coccari-Swift (aka Ruby Submarine) & Teresa Gregorio (aka Canary Knits), it promises cult tv show love, gentle absurdity, and jelly doughnut inspired sweaters.
If you’re a Twin Peaks fan, or just someone who likes brilliant knitwear, be sure to check out and support the Great Northern Kickstarter Campaign.
With just 9 days to go, there are still some amazing backer rewards left, and you could help bring to life a collection that promises cozy sweaters, fascinating characters, and a pinch of that wonderful gentle absurdity.
some thoughts on selfies and self portraits
People have been turning the camera on themselves since the 1800s (Robert Cornelius took possibly the first photographic self-portrait in 1838).
And before that, there were self portraits made of charcoal and oil paints.
Selfies and self portraits certainly aren’t new.
I don’t know what the definitive difference between the two is.
(I don’t think anyone knows.)
And there’s certainly a lot of middle ground between, a selfie taken in the bathroom mirror, and a self portrait of/by Frida Kahlo.
But here are some off-the-cuff thoughts from someone who is
a) terrified to cameras & having her picture taken,
b) has taken a picture of herself every day for 45 days and plans to continue for another 320 days,
and c) still can’t decide if she’s taking selfies or self portraits.
Thought 1: A selfie says “look at me, look at what I’m doing/where I am/who I’m with.” A self portrait says “this is who I am.”
Thought 2: A selfie is a picture designed for other people to see. No one takes a selfie for themselves. A self portrait is you creating an image of yourself for yourself. The process of creating the image is part of the point.
Thought 3: A selfie tries to erase or minimize “flaws.” Some self portraits try to minimize or erase flaws, but some don’t, and some embrace them.
Thought 4: A selfie is disposable, it gains no depth from a second viewing. A self portrait (at least a good one) has layers that can be explored and uncovered, through multiple viewings.
Thought 5: You “take” selfies. You “create” self portraits.
But can a selfie become a self portrait?
And when is a self portrait really a selfie?
